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While it seems like other software companies have been slowly plateauing, the good people at Hit. Film have quietly been perfecting their software. Their latest release, Hit.
Film 4 Pro, is an amazing reminder that video innovation is not dead. Here’s our experience.
The Interface. The professional video editing world is notorious for creating very unapproachable products, but Hit. Film is completely the opposite.
Users with just a very basic understanding of video editing software will be able to figure out how to use Hit. Film 4 Pro. The software is essentially Premiere Pro/Final Cut Pro and After Effects combined into one editing. The sleek design is easy to navigate and the buttons and icons are all virtually self- explanatory. There are two main layouts. In this regard, it’s very similar to Da. Vinci Resolve or Adobe Lightroom. The editing workspace looks and feels like a modern NLE, complete with video and audio effects.
While it doesn’t have all of the features associated with modern day professional video editing applications, it has all of the basic tools you need to do a simple- to- intermediate editing project. In my experience with Hit. Film’s editing interface, I never once ran into any playback issues or bugs, which is more than I can say about Premiere Pro.
Buy cheap 3D graphics and design software. All versions at lowest cost. However, you failed to mention the Kid Stays in this Picture - the film that really refined and created this process via After Effects almost 10 years ago. That was the film that inspired my project, In. Getting into motion design and After Effects can be quite intimidating – but there are a lot of similarities between Adobe's motion tool and Photoshop. After Effects is a complex, huge application that takes a long time to.
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The compositing interface is essentially a hybrid 3. D version of After Effects .
The BCIT New Media Design and Web Development certificate program is an intense one year program for students interested in an exciting career in new media and web development. You’ll create visually appealing graphics. After fainting at work, a young lady awakens in the back room of the caf. Two of her friends, whom she soon learns are named Shin and Toma, are called to help her. February, 2014; I’ve Got My Ticket For the Long Way . A few of my favorite posts; Come to ADIM 2014; You wanted Photoshop faster, more efficient? Custom Animation is a set of effects which can be applied to objects in PowerPoint so that they will animate in the Slide Show Power Point. They can be added under the Custom Animation function or through the.
Compositing is a great descriptor for this tab. Inside the compositing interface, you will find a series of effects, tools, and features that are .
Unlike other high- end compositing softwares, Hit. Film is a layer- based software, just like After Effects. The buttons and icons are big in Hit. Film, which is fantastic. You don’t have to squint your eyes to see them. However, this can occasionally lead to some cramped.
We were able to jump right in and use Hit. Film. If you’re completely new to Hit. Film, you could probably learn most of the features within just a few hours of messing around in the software.
When you launch Hit. Film, you are immediately welcomed with a page that has tutorials and articles about Hit.
Film. They also have an ever- growing network of forums online that answered all of the questions we had about the software when we did a quick Google search. Non- Exclusive Features. If you’ve spent time with. There are a lot of features that you will immediately recognize: Masks. There’s a pen tool that can quickly be used to mask out certain areas of your.
You’ll find levels, curves, blurs, sharpens. Here are a few of our favorites.
Pro Skin Retouch: If you’re working on a fashion film or commercial, the skin retouching tool inside of Hit. Film. You can easily select skin and smooth. You can also adjust skin saturation, exposure, and glow in this effect. There’s even an option to convert your skin selection into a black- and- white mask. Hyperdrive: While this effect is rather specific, if you’ve ever wanted to create a Star Wars- esque hyperdrive effect, you can easily do so using the Hyperdrive Effect in Hit.
Film. Action Tools: ? Using the built- in gunfire effect, you can customize and create 3. D muzzle flashes without having to use pre- rendered action effects like Action Essentials from Video Copilot. Users can adjust cone shape, flare distance, and color all from inside the gunfire effect. There are also amazing smoke, explosion, tornado, debris, fire, and rain effects all built- into Hit.
Film. All- in- One Color Grading Tools. The coolest color grading tool is the bleach bypass effect which can easily be dropped onto any layer. Users can adjust the bleach bypass intensity using a slider. There is also a cine- style effect. While I wouldn’t say any of these features would ever replace color grading by hand, they can be quite fun to mess with. Distortion Tools. Most notably, Hit.
Film. In a way, Hit. Film 4 Pro’s native 3. D tools work a lot like Element 3. D. Form- Based Particle Emitter. This tool works a lot like Trapcode Form, but it’s included in the software. There are plenty of other exclusive. In a way the particle generator built- into Hit.
Film is like Element 3. D and Trapcode Particular, and Trapcode Form combined. You can even use moving 3. D animated models in the particle generator. For more info on the particle generator I recommend checking out Hit. Film’s site. There were only a few. However it did have a few.
For example, there are only a limited number of paragraph options, no align tool, and you must make a text box in order to create text. In this regard, it’s clear to see that Hit. Film. This means it’s probably not a great option for creating templates, as there are no expression controllers like sliders, checkboxes, and color boxes. This tool, when coupled with simple expressions, will radically change the way you work with motion graphics. Unfortunately, Hit. Film’s closest answer is simply a dropdown parent menu, which is nice . Unfortunately, there is not one in Hit.
Film. But if Da. Vinci Resolve or FCPX. There are no shape layers or layer styles inside of Hit. Film. It seems complex shape- based designs are near impossible. The developers of Hit. Film. Simply clicking a tab is so much easier than using the Adobe Dynamic link or exporting footage.
After Effects users will be surprised that you can even watch footage without having to render it first (gasp). The. Its large, sleek interface makes it incredibly easy to use, but somewhat difficult to organize once you begin to have more than ten layers. With Hit. Film, what you see is what you get.
This is great because you can easily learn and use the software. But it’s bad in that there is clearly a creative ceiling you will hit when using Hit. Film. You could spend your entire career learning new things in After Effects.
I don’t think the same could be said about Hit. Film. Hit. Film. After Effects: Who Wins? Here’s our quick (and highly opinionated) feature comparison between. In most cases it felt like Hit.
Film 4 Pro was at least twice as fast as After Effects. There are some situations in which you would probably want to use Hit. Film. If you’re working on an indie action sequence, you’d be mistaken to use After Effects over Hit.
Film. But if you’re working on a 2. D animation, there’s no way you would want to use Hit.
Film. After you begin to familiarize yourself with the effects, you’ll be able to get a better idea as to when you might want to use Hit. Film. The program was clearly designed with artists in mind. From fast playback to 3. D models, Hit. Film. Sure it’s not After Effects, but in a lot of ways it’s better. You can also download a no time- limit free trial from Hit. Film’s website. Just keep in mind that you will only be able to export 3.
You. Tube SD quality footage in the trial. Hitfilm is compatible with? Share in the comments below.